Oksana spoke separately about how Soviet propaganda shaped the image of Chornobyl that we still live with today. The main focus was on the heroism of the liquidators, the 31 official victims, the construction of the sarcophagus — and that was it, the story was closed.
Mythologisation also created a pop-cultural image of the Chornobyl Exclusion Zone: for example, myths about mutants. These are only half true, says Kateryna Shavanova, a chemist-dosimetrist with the Khartiia Brigade of the National Guard of Ukraine. Mutations certainly exist, and they can be negative or positive. Yet all the myths are built around negative mutations in animals, plants and so on.
We can see the real human experience of the disaster mostly through art: through Yurii Shcherbak, Oksana Zabuzhko and the artists whom the Central Committee of the party sent to the Zone to paint portraits of the liquidators. It is this reflection that forms a more ‘real’ experience, rather than a propaganda brochure.